Broadcast-grade infrastructure

The gear is already in the building

A permanent, tour-grade broadcast stack — switching, cloud workflow, lighting and audio, installed and ready. No trucks, no rentals, no load-in day lost — run by a professional crew and led by a 12-season American Idol technical producer.

The control room running a live broadcast from the theater

Cloud-native

Videon encoders into AWS MediaLive & MediaConnect, with Envoi post and distribution.

No filming permits

Entertainment zoning means on-site shoots need no city permits. Book today, shoot this week.

Audio

DiGiCo S21 48-channel · Behringer X32 40-channel front-of-house · Midas DL32 stage box · 12-box VUE line array PA · QSC K8.2 & K12.2 powered speakers · 4× 18″ subwoofers · 14 Shure SM57, 5 SM58 & 3 PZM mics · QSC TouchMix-30 monitor console

Lighting

GrandMA wing console · 9× Elation Fuze Wash Z350 · 4× VIZI Beam RXone · ETC Source Four 36° & MultiPar · 1.2K HMI Lycian StarkLite followspot · 9× Chauvet Freedom Par with DMX · 8 truss positions on two 30′ motorized trusses

Projection

2× Barco FLM HD20K projectors · automated Paragon 23′ × 13′ screen

Stage & Power

38′ wide × 24′ deep proscenium stage · 200-amp three-phase power at the back of stage

Connectivity

1 Gbps up / 1 Gbps down dedicated fiber · 24 dedicated 10G circuits available on request

Control Room

Blackmagic recording & switching livestream station · 65″ director's monitor · full production-office capabilities

Need something that isn't on this list? The rider above is what lives here permanently. Anything else — additional camera packages, specialty lighting, LED walls, translation, extra crew — we scope and bring in for your dates. Send us the tech rider with your inquiry and we'll come back with a plan.

Bring us your rider

Tell us what you're making and we'll tell you exactly what's already here.

Book the Studio
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